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Fouad Said was responsible for all the beautiful location photography which made “I Spy” so unique.
When Sheldon Leonard amazingly sealed the “I Spy” deal with NBC that turned an outlandish dream into a reality, he found himself suddenly and urgently looking for someone who would actually be able to handle all the location production requirements for a sum which didn't amount to twice the whole budget for the series!
Fouad Said with Robert Culp and Bill Cposby
He quickly found that what he needed was a genie with a lamp to produce such a team.
By the most fortuitous turn of fate, what he got was a genie with a camera. None other than the incredible Fouad Said, known on the set as Fou, who offered a package including photography, cameras, maintenance, lighting, sound and equipment, and all the rest of the production facilities - even food - for a fixed and quite reasonable sum.
with Sheldon Leonard
He appeared on Sheldon Leonard's doorstep as if summoned in a wish, apparently having read a newspaper article about the “I Spy” project. Fouad Said was ingenious, energetic and competent, and his own dream was plying his trade in Hollywood.
According to Robert Culp, “there wasn't anything Fouad didn't know, and behind the camera there wasn't anything he couldn't do.” Seemingly inexhaustible and always smiling, he found a solution to every location shooting problem they faced.
The show's star adds, that working with Fouad Said and his team was full of excitement and fun, but they always got the job done.
The Egyptian was personally responsible for one of the series' most important claims to fame, the innovative overseas segments. He developed the “cinemobile” which enabled the crew to move around the world with its own rolling soundstage equipment, including a mobile crane mounted on the roof of his cinemobile. The striking location images of the series are a testament to his skill as a cinematographer, as it was all pioneering work then.
He also designed special minature radio microphones for location shooting, which he had made at Stanford. These were the forerunners of the radio microphones which are in standard use today in films.
And he didn't stop when shooting ceased. He also maintained the equipment and catered the sumptuous location meals which still remain a fond memory for those who worked on the show.
The “I Spy” set was a marvelous ethnic mix. As an Egyptian, Fouad Said had to work closely with his Jewish bosses right through the Six Day War. When Egypt was defeated by Israel, Sheldon Leonard tells the anecdote that Said stalked up to Friedkin, Fine and himself, declaring to them, “today everything will be out of focus!”
The cinemobile was not the beginning nor the end of Fouad Said's pioneering work. He was one of the first individuals to dive out of planes with a head-mounted camera to photograph skydivers in action.
After “I Spy” he further developed, refined and expanded his cinemobile concept, and ended up selling the business for $7 million. He went into oil-drilling industry services after that, and headed a company with 14,000 employees. Fouad Said has turned the several hundred millions this business netted him into billions and is today an active venture capitalist.
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Get all episodes from
I Spy Season 1
I Spy Season 2
I Spy Season 3
Read the I Spy Book
Film Score Monthly has released an album of five “I Spy” scores
by Earle Hagen on CD.
Direct from the soundtracks of "So Long, Patrick Henry" - "A Time of the Knife" - "Turkish Delight," - "The Warlord" - "Mainly on the Plains" along with a 24-page booklet of liner notes and photos and foreword by Robert Culp It'
Buyt it through Amazon
Earle Hagen, composer of the music from “I Spy” has now published his autobiography
"Memoirs of a Famous Composer - Nobody Ever Heard Of"
Read the inside story on I Spy!
scouting locations with Sheldon Leonard - life on the I Spy set
and the rest of Earle Hagen's fascinating career in big bands, movies & TV
Buy it Now
The I Spy Team
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